La Nina Santa (The Holy Girl) [2004] DvDrip-paTon.avi __EXCLUSIVE__
La Nina Santa (The Holy Girl) [2004] DvDrip-paTon.avi ->>->>->> https://fancli.com/2tunXI
```html
La Niña Santa: A Film Review
La Niña Santa (The Holy Girl) is a 2004 Argentinian drama film directed by Lucrecia Martel and executively produced by Pedro Almodóvar. The film explores the themes of sexuality, religion, and adolescence through the eyes of a 16-year-old girl named Amalia (MarÃa Alché), who lives with her divorced mother Helena (Mercedes Morán) and her uncle Freddy (Alejandro Urdapilleta) in a rundown hotel in a small town.
The film begins with Amalia attending a religious class where she learns about vocation and how God calls each person to a specific mission. She becomes intrigued by this idea and starts to look for signs of her own calling. Meanwhile, a group of doctors arrives at the hotel for a medical conference. One of them, Dr. Jano (Carlos Belloso), sexually harasses Amalia in a crowded street while she listens to a theremin performance. Amalia is shocked but also fascinated by this encounter and decides that her mission is to save Dr. Jano from his sinful behavior.
Amalia begins to stalk Dr. Jano and tries to get close to him, while also confiding in her best friend Josefina (Julieta Zylberberg) about her feelings. Dr. Jano, who is married and has children, is tormented by his guilt and attraction to Amalia. He also develops a friendship with Helena, who is unaware of his actions and has her own romantic troubles with Freddy. The film follows the complex relationships and emotions of these characters as they struggle with their desires, beliefs, and moral dilemmas.
La Niña Santa is a subtle and nuanced film that does not offer easy answers or judgments. Martel uses a naturalistic style that relies on close-ups, ambient sounds, and long takes to create a realistic and immersive atmosphere. The film also avoids conventional narrative structures and exposition, leaving many details ambiguous or implied. The viewer is invited to interpret the characters' motivations and actions based on their own perspective and experience.
The film received critical acclaim and was nominated for the Palme d'Or at the 2004 Cannes Film Festival. It also won several awards at other international festivals, such as the FIPRESCI Prize at the Toronto International Film Festival and the Best Director Award at the Havana Film Festival. La Niña Santa is a provocative and original film that challenges the viewer to reflect on their own notions of sexuality, faith, and identity.
```
```html
One of the most striking aspects of La Niña Santa is the contrast between the mundane and the spiritual. The film depicts a world that is full of noise, dirt, and decay, where the characters are constantly surrounded by trivial or unpleasant stimuli. The hotel, which is supposed to be a place of comfort and hospitality, is instead a source of discomfort and alienation. The guests complain about the lack of hot water, the noise from the street, and the poor service. The staff is overworked, underpaid, and unhappy. The hotel also serves as a metaphor for the moral decay of the society, where corruption, hypocrisy, and violence are rampant.
In this bleak environment, Amalia seeks a transcendent meaning and purpose for her life. She believes that she has a special connection with God and that He speaks to her through signs and coincidences. She also finds beauty and mystery in music, especially in the theremin, an electronic instrument that produces eerie sounds without physical contact. The theremin represents Amalia's fascination with the invisible and the intangible, as well as her desire to touch and be touched by something divine.
However, Amalia's quest for holiness is also tainted by her sexual awakening and curiosity. She confuses her physical attraction to Dr. Jano with a spiritual calling and tries to seduce him in the name of God. She also experiments with masturbation and voyeurism, while maintaining an innocent and naive demeanor. Amalia's sexuality is not portrayed as sinful or shameful, but rather as a natural and inevitable part of her growth. However, it also exposes her to danger and exploitation, as Dr. Jano takes advantage of her vulnerability and ignorance.
La Niña Santa is a film that explores the complex and contradictory nature of human sexuality and spirituality. It shows how these two aspects of life can be both complementary and conflicting, depending on the context and the perspective. It also questions the role of religion and morality in a modern society that is marked by cynicism and indifference. The film does not offer any clear answers or solutions, but rather invites the viewer to think critically and empathetically about these issues.
``` a474f39169